The Summer Kitchen at MHV features a historical Mennonite floor pattern based on one found in a housebarn in Sommerfeld, Manitoba, hand painted by Margruite Krahn. (Photo: DCC)
The Summer Kitchen at MHV features a historical Mennonite floor pattern based on one found in a housebarn in Sommerfeld, Manitoba, hand painted by Margruite Krahn. (Photo: DCC)

USask’s Diefenbaker Canada Centre unveils captivating exhibition celebrating Mennonite women

The Diefenbaker Canada Centre (DCC) at the University of Saskatchewan (USask) is excited to announce the opening of Resurfacing: Mennonite Floor Patterns, a unique exhibition developed by featured visual artist Margruite Krahn, from Neubergthal, Manitoba.


Krahn spent the last two decades in the restoration, presentation, and documentation of 19th and 20th-century old housebarns, as well as the material culture in Neubergthal, Manitoba – a Mennonite Street Village and National Historic Site. Through this exhibition, she pays a tribute to her female forebearers who built, designed, and decorated the floors of their homes within a challenging, male-led religious ideology, and financial constraints. 

The study of hand-painted floors in these buildings, crafted by generations of Mennonite women, shaped Krahn’s artistic journey. Today, her research, documentation, and restoration of wooden floors with painted patterns have inspired her to re-imagine them in floor cloths – opening her eyes to the Mennonite life around the turn of the 20th century. 

The Summer Kitchen at MHV features a historical Mennonite floor pattern based on one found in a housebarn in Sommerfeld, Manitoba, hand painted by Margruite Krahn. (Photo: Grajewski Fotograph Inc.)
The Summer Kitchen at MHV features a historical Mennonite floor pattern based on one found in a housebarn in Sommerfeld, Manitoba, hand painted by Margruite Krahn. (Photo: Grajewski Fotograph Inc.)

“Saskatchewan has a strong Mennonite community and Margruite’s recreation of these patterns on floor cloths offers our visitors an exceptional opportunity to discover and appreciate this artist without the need of travelling too far,” said Helanna Gessner, DCC’s curatorial, collections, and exhibits manager.

The latest addition to this exhibit highlights the historical relationship between Mennonite women in Neubergthal and the women of Roseau River Anishinaabe First Nation during the 19th and 20th centuries when Ojibway women would make rugs and baskets to sell or barter to nearby communities. In the 21st century, Krahn brings together Mennonite, non-Mennonite, and Ojibway women and girls who created a hand printed floor cloth called Dankboa (Plaudietsch for grateful) to be on display alongside braided rugs to tell the story of these women. 

Elder Georgina Martin (seated), Margaret McGregor, Margruite Krahn, and Renee Seymour with Dankboa (in an unfinished state) which will be on display at the DCC for the duration of Resurfacing: Mennonite Floor Patterns. (Photo: Submitted)
Elder Georgina Martin (seated), Margaret McGregor, Margruite Krahn, and Renee Seymour with Dankboa (in an unfinished state) which will be on display at the DCC for the duration of Resurfacing: Mennonite Floor Patterns. (Photo: Submitted)

The DCC officially launched the exhibit on Wednesday, Sept. 27, featuring an artist talk and Q&A session as part of Culture Days. The exhibit will be on display until January 27, 2024, offering guided tours and educational programming available for booking. 

Margruite Krahn giving an artist talk at the exhibit opening. (Photo: Submitted)
Margruite Krahn giving an artist talk at the exhibit opening. (Photo: Submitted)

Together we will create inspired places for people to address the challenges of the future. We invite you to join by supporting visionary spaces at USask.

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